Cootie Williams and his Rug Cutters 1937/40 (Tax, publ. 1973)

Tax m-8011 (1973)

Face A: 

Cootie Williams and his Rug Cutters

Cootie Williams (trompette), Joe "Tricky Sam" Nanton (trombone), Johnny Hodges (saxos soprano et alto), Harry Carney (saxo baryton), Duke Ellington (piano), Hayes Alvis (contrebasse), Sonny Greer (batterie). New York, 8 mars 1937. 

1. Downtown Uproar

The Gotham Stompers

Cootie Williams (trompette), Sandy Williams (trombone), Barney Bigard (clarinette), Johnny Hodges (saxo alto), Harry Carney (saxo baryton), Tommy Fulford (piano), Bernard Addison (guitare), Billy Taylor (contrebasse), Chick Webb (batterie), Ivie Anderson (chant), Wayman Carver (arrangeur). New York, 25 mars 1937. 

2. Did Anyone Ever Tell You

Cootie Williams and his Rug Cutters

Cootie Williams (trompette), Juan Tizol (trombone à pistons), Barney Bigard (clarinette, saxo ténor), Otto Hardwick (saxo alto), Harry Carney (saxo baryton), Duke Ellington (piano), Billy Taylor (contrebasse), Sonny Greer (batterie). New York, 26 octobre 1937. 

3. Jubilesta
4. I Can't Give You Anything But Love

Cootie Williams (trompette), Joe "Tricky Sam" Nanton (trombone), Barney Bigard (clarinette, saxo ténor), Johnny Hodges (saxos soprano et alto), Harry Carney (saxo baryton), Duke Ellington (piano), Fred Guy (guitare), Billy Taylor (contrebasse), Sonny Greer (batterie), Jerry Kruger (chant). New York, 4 avril 1938. 

5. A Lesson in C
6. Ol' Man River

Cootie Williams (trompette), Barney Bigard (clarinette, saxo ténor), Johnny Hodges (saxos soprano et alto), Otto Hardwick (saxos alto et basse), Harry Carney (saxo baryton), Duke Ellington (piano), Billy Taylor (contrebasse), Sonny Greer (batterie), Scat Powell (chant). New York, 2 août 1938. 

7. Blue is the Evening

Les mêmes moins Hardwick et Powell; Cootie Williams chante aussi. New York, 28 février 1939. 

8. Ain't the Gravy Good

Face B: 

Même session que A7. 

1. Chasin' Chippies

Les mêmes que sur A8; Billy Strayhorn (piano) remplace Ellington; Jimmy Blanton (contrebasse) remplace Taylor. New York, 15 février 1940. 

2. Black Butterfly

Même session que A2. 

3. Where Are You

Les mêmes que sur B8; Billy Strayhorn (piano) remplace Ellington sur 4. New York, 22 juin 1939. 

4. Blues A Poppin'
5. Top and Bottom

Même session que sur B2; Duke Ellington (piano) remplace Strayhorn. 

6. Dry So Long
7. Give It Up

Même session que sur A1. 

8. Tiger Rag

Design de la pochette: Ingrid. 

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Jess Stacy - Lee Wiley: J. Stacy and Friends (Commodore, enr. 1938-1944; publ. 1980)

Commodore XFL 15358 (1980)

Face A: 

Jess Stacy (piano). New York, 30 avril 1938. 

1. Ramblin' (Stacy) 3:06

New York, 18 janvier 1939. 

2. Candlelights (Beiderbecke) 3:15
3. Complainin' (Stacy) 2:35
4. Ain't Goin' Nowhere (Stacy) 2:43

Jess Stacy (piano), Bud Freeman (saxo ténor). New York, 13 juin 1939. 

5. (I Got a Woman Crazy for Me) She's Funny That Way (Whiting/Moret) 3:43

Jess Stacy (piano). Même session. 

6. You're Driving Me Crazy (Donaldson) 3:36
7. The Sell Out (Stacy) 4:13
8. Ec-Stacy (Stacy) 4:45

Face B: 

Jess Stacy (piano), Muggsy Spanier (cornet), Lee Wiley (chant). New York, 10 juillet 1940. 

1. Down to Steamboat Tennessee (Stacy-Robison-Wiley) 4:33
2. Sugar (Pinkard/Mitchell) 4:37

Jess Stacy (piano), Gordon "Specs" Powell (batterie). New York, 25 novembre 1944. 

3. After You've Gone (Creamer-Layton) 2:50
4. Old Fashioned Love (Johnson/McPherson-Mack) 2:39
5. I Ain't Got Nobody (S. Williams/Graham) 3:21
6. Blue Fives (Stacy) 2:38
7. Ridin' Easy (Stacy) 2:41
8. Song of the Wanderer (Howard) 2:38

Produit par Milt Gabler
Notes de pochette: Gary Giddins
Design de la pochette: Ely Basalel

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Fats Waller Piano Solos 1929-1941 (Bluebird/RCA, publ. 1977)

Bluebird/RCA AXM2-5518 (1977)

Fats Waller (piano solo)

Face A: 

New York, 1 mars 1929

1. Handful of Keys (Thomas Waller) 2:45
2. Numb Fumblin' (Thomas Waller) 2:50

Camden, 2 août 1929

3. Ain't Misbehavin' (Harry Brooks-Thomas Waller-Andy Razaf) 3:00
4. Sweet Savannah Sue (Harry Brooks-Thomas Waller-Andy Razaf) 3:00
5. I've Got a Feeling I'm Falling (Thomas Waller-Billy Rose-Harry Link) 2:50
6. Love Me or Leave Me (Walter Donaldson-Gus Kahn) 2:37
7. Gladyse (Thomas Waller) 2:53
8. Valentine Stomp (Thomas Waller) 3:20

Face B: 

Camden, 29 août 1929

1. Waitin' at the End of the Road (Irving Berlin) 3:24
2. Baby, Oh Where Can You Be (Frank Magine-Ted Koehler) 3:15

New York, 11 septembre 1929

3. Goin' About (Thomas Waller) 3:15
4. My Feelings Are Hurt (Thomas Waller) 3:02

New York, 24 septembre 1929

5. Smashing Thirds (Thomas Waller) 3:04

New York, 4 décembre 1929

6. My Fate is in Your Hands (Thomas Waller-Andy Razaf) 2:39
7. Turn on the Heat (B.G. DeSylva-Lew Brown-Ray Henderson) 2:26

Duo de pianos avec Benny Payne. New York, 21 mars 1930. 

8. St. Louis Blues (W.C. Handy) 3:00

Face C: 

(suite de la session)

1. After You've Gone (Henry Creamer-Turner Layton) 3:25

New York, 16 novembre 1934. 

2. African Ripples (Thomas Waller) 3:06
3. Clothes Line Ballet (Thomas Waller) 2:57
4. Alligator Crawl (Thomas Waller) 2:40
5. Viper's Drag (Thomas Waller) 2:55

New York, 11 mars 1935. 

6. Russian Fantasy (Thomas Waller) 1:35
7. E Flat Blues (Thomas Waller) 2:25

New York, 11 juin 1937. 

8. Keepin' Out of Mischief Now (Thomas Waller) 3:10
9. Stardust (Hoagy Carmichael-Mitchell Parish) 3:10

Face D: 

(suite de la session)

1. Basin Street Blues (Spencer Williams) 2:30
2. Tea for Two (Vincent Youmans-Irving Caesar) 3:20
3. I Ain't Got Nobody (Spencer Williams-Roger Graham) 3:06

New York, 13 mai 1941. 

4. Georgia on My Mind (Hoagy Carmichael-Stuart Gorell) 2:50
5. Rockin' Chair (Hoagy Carmichael) 3:03
6. Carolina Shout (James P. Johnson) 2:15
7. Honeysuckle Rose (Thomas Waller-Andy Razaf) 3:20
8. Ring Dem Bells (Duke Ellington-Irving Mills) 3:10

Produit par Frank Driggs
Remasterisé par Eddie Rich
Directeur artistique: Dick Smith
Notes de pochette: Mike Lipskin
Photos de la pochette gracieuseté de Photo Files

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Art Tatum: Pure Genius (Affinity, enr. 1937-1944; publ. 1984)

Affinity AFFD118 (1984)

Face A: 

Art Tatum (piano). NYC, 29 novembre 1937. 

1. Gone with the Wind (Allie Wrubel/Herb Magidson)
2. Stormy Weather (Koehler-Arlen)

Art Tatum (piano). Los Angeles, 12 avril 1939. 

3. Tea for Two (Vincent Youmans/Irving Caesar)

Art Tatum (piano). Los Angeles, 22 février 1940. 

4. Elegie (Jules Massenet)
5. Humoresque (Anton Dvorak)
6. Sweet Lorraine (Burwell-Parish)
7. Get Happy (Koehler-Arlen)
8. Lullaby of the Leaves (Young/Petkere)

Face B: 

(suite de la session)

1. Tiger Rag (La Rocca)
2. Emaline (Perkins-Parish)
3. Love Me (Young/Washington)

Art Tatum (piano). Los Angeles, 26 juillet 1940. 

4. St. Louis Blues (W.C. Handy)
5. Begin the Beguine (Cole Porter)
6. Rosetta (Hines/Woode)
7. Indiana (MacDonald/Hanley)

Face C: 

Art Tatum & his Band

Joe Thomas (trompette), Ed (Edmond) Hall (clarinette), Art Tatum (piano, direction), John Collins (guitare), Billy Taylor (contrebasse), Eddie Dougherty (batterie), Big Joe Turner (chant sur 1 et 3). NYC, 21 janvier 1941. 

1. Wee Baby Blues (Turner/Johnson)
2. Stompin' at the Savoy (Benny Goodman/Edgar Sampson/Chick Webb)
3. Last Goodbye Blues (Pete Johnson-Joe Turner)
4. Battery Bounce (Art Tatum)

Art Tatum & his Band

Joe Thomas (trompette), Art Tatum (piano, direction), Oscar Moore (guitare), Billy Taylor (contrebasse), Yank Porter (batterie), Big Joe Turner (chant). NYC, 13 juin 1941. 

5. Lucille (Luther Williams)
6. Rock Me Mama (Jones)
7. Corinne Corinna (J.M. Williams/Bo Chatman)
8. Lonesome Graveyard (Jones/Williams)

Face D: 

Art Tatum Trio

Art Tatum (piano, direction), Lloyd "Tiny" Grimes (guitare), Leroy "Slam" Stewart (contrebasse). NYC, 5 janvier 1944. 

1. I Got Rhythm (George & Ira Gershwin)
2. Cocktails for Two (Sam Coslow/Arthur Johnston)
3. After You've Gone (Henry Creamer/Turner Layton)
4. Moonglow (Hudson/Delange/Mills)
5. Deep Purple (DeRose-Parish)
6. I Would Do Anything for You (Hill/Hopkins/Williams)
7. Honeysuckle Rose (Waller/Razaf)

Notes de pochette: Stan Britt
Toutes les photos gracieuseté du Melody Maker
Design de la pochette: Yeldham Muchmore

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Art Tatum: Piano Starts Here (Columbia, enr. 1933-1949; publ. 1968)

Columbia CS 9655 (1968)

Face A: 

Art Tatum (piano). 21 mars 1933

1. Tea for Two (I. Caesar-V. Youmans)
2. St. Louis Blues (W. C. Handy)
3. Tiger Rag (Original Dixieland Jazz Band)
4. Sophisticated Lady (I. Mills-D. Ellington)

Gene Norman's "Just Jazz" Concert at Shrine Auditorium

Art Tatum (piano). Mai 1949

5. How High the Moon (N. Hamilton-M. Lewis)
6. Humoresque (Dvorak)
7. Someone to Watch Over Me (I. Gershwin-G. Gershwin)

Face B: 

(suite)

1. Yesterdays (O. Harbach-J. Kern)
2. I Know That You Know (A. Caldwell-V. Youmans)
3. Willow Weep for Me (A. Ronell)
4. Tatum Pole Boogie (A. Tatum)
5. The Kerry Dance (Molloy)
6. The Man I Love (I. Gershwin-G. Gershwin)

Notes de pochette: Leonard Feather
Illustration de la pochette: Robert Andrew Parker

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Écouter le disque sur YouTube Music. 

Jack Teagarden / Max Kaminsky: Big T and Mighty Max (Commodore, enr. 1944; publ. 1979)

Commodore XFL 14940 (1979)

Face A: 

Jack Teagarden and his Swingin' Gates

Max Kaminsky (trompette), Jack Teagarden (trombone, chant), Ernie Caceres (clarinette), Norma Teagarden (piano), George "Pops" Foster (contrebasse), George Wettling (batterie), Wingy Manone (chant sur 5). New York, 11 décembre 1944. 

1. Chinatown, My Chinatown (Schwartz/Jerome) 2:51
2. Chinatown, My Chinatown No. 2 (Schwartz/Jerome) 2:52
3. Big "T" Blues (Gabler/Teagarden) 3:12
4. Big "T" Blues No. 2 (Gabler/Teagarden) 3:21
5. Rockin' Chair (Carmichael) 4:10
6. Pitchin' a Bit Short (Gabler) 4:09
7. Pitchin' a Bit Short No. 2 (Gabler) 4:03

Face B: 

Max Kaminsky and his Jazz Band

Max Kaminsky (trompette), Frank Orchard (trombone), Rod Cless (clarinette), James P. Johnson (piano), Eddie Condon (guitare), Bob Casey (contrebasse), George Wettling (batterie). New York, 22 juin 1944. 

1. Love Nest (Hirsch/Harbach) 2:59
2. Love Nest No. 2 (Hirsch/Harbach) 3:04
3. Everybody Loves My Baby (Palmer/Williams) 2:26
4. Everybody Loves My Baby No. 2 (Palmer/Williams) 2:37
5. Eccentric (That Eccentric Rag) (Robinson) 3:01
6. Eccentric (That Eccentric Rag) No. 2 (Robinson) 2:58
7. Guess Who's in Town (Johnson/Razaf) 2:40
8. Guess Who's in Town No. 2 (Johnson/Razaf) 2:43

Produit par Milt Gabler
Notes de pochette: Dan Morgenstern
Design de la pochette: Ely Basalel

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Variés: The Chicagoans "The Austin High Gang" 1928-1930 (Decca, publ. 1967)

Decca DL (7)9231 (1967/?)

Face A: 

Husk O'Hare and his Footwarmers

Personnel exact inconnu, mais le discographe John Steiner propose: Moe Ferguson (cornet), Caesar Petrillo (trombone), Norman Jacques, Maurie Hicks (clarinette, saxophones), Joe ou Walter Rudolph (piano), Louis Black (banjo), Doc Slater (tuba), Bill Marcipan (batterie), Turk Savage (chant). Chicago, 10 janvier 1928. 

1. Milenberg Joys (Paul Mares-Leon Roppolo-Ferd Jelly Roll Morton-Walter Melrose) 2:59
2. My Daddy Rocks Me (With One Steady Roll) (J. Bernie Barbour) 2:49

The Chicago Rhythm Kings

Muggsy Spanier (cornet), Frank Teschemacher (clarinette), Mezz Mezzrow (saxo ténor), Joe Sullivan (piano), Eddie Condon (banjo, chant sur 5), Jim Lanigan (tuba), Gene Krupa (batterie), Red McKenzie (chant sur 3, 4). 6 avril et 2 mai 1928. 

3. There'll Be Some Changes Made (W. Benton Overstreet-Billy Higgins) 2:52
4. I've Found a New Baby (Spencer Williams-Jack Palmer) 3:06
5. Baby, Won't You Please Come Home (Clarence Williams-Charles Warfield) 2:42

McKenzie and Condon's Boys, direction of Mr. Tesch

Frank Teschemacher (clarinette, saxo alto), Rod Cless (saxo alto), Mezz Mezzrow (saxo ténor), Joe Sullivan (piano), Eddie Condon (banjo), Jim Lanigan (tuba), Gene Krupa (batterie). 28 avril 1928. 

6. Jazz Me Blues (Tom Delaney) 2:37

Joe "Wingy" Mannone and his Club Royale Orchestra

Wingy Manonne (Manone) (trompette, chant), Wade Foster (clarinette), Bud Freeman (saxo ténor), Jack Gardner (piano), Ray Biondi (guitare), Gene Krupa (batterie). 4 septembre 1928. 

7. Downright Disgusted (Terry Shand-Bud Freeman-Joe Mannone) 3:13

Face B: 

(suite de la session)

1. Fare Thee Well (Peck Kelly-Ray Mayer-Joe Mannone) 3:18

Joe "Wingy" Mannone (trompette, chant), Frank Teschemacher (clarinette), George Snurpus (saxo ténor), Art Hodes (piano), Ray Biondi (guitare), Augie Schellange (batterie). 17 décembre 1928. 

2. Trying to Stop My Crying (Raymond Biondi-C. J. Miskelly-Jack Lozier) 3:05
3. Isn't There a Little Love? (Down in Your Heart for Me) (Terry Shand-Lee-Joe Mannone) 2:59

Elmer Schoebel and his Friars' Society Orchestra

Dick Feigie (cornet), Jack Read (trombone), Frank Teschemacher (clarinette), Floyd Towne (saxo ténor), Elmer Schoebel (piano), Charlie Barger (guitare), John Kuhn (tuba), George Wettling (batterie). 18 octobre 1929. 

4. Copenhagen (Charles Davis-Walter Melrose) 2:27
5. Prince of Wails (Elmer Schoebel) 2:38

The Cellar Boys with "Wingy" and Teschemacher

Joe "Wingy" Mannone (trompette), Frank Teschemacher (clarinette), Bud Freeman (saxo ténor), Frank Melrose (piano), inconnu (accordéon), George Wettling (batterie). 24 janvier 1930. 

6. Wailin' Blues (Ted Lewis-Lester Melrose) 3:15
7. Barrel House Stomp (Lester Melrose) 3:01

Toutes les plages enregistrées à Chicago, Illinois. 

Compilation par Milt Gabler à partir de la Decca Record Library
Notes de pochette: George Hoefer

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Frankie Newton: Swinging on 52nd Street 1937-1939 "Emperor Jones" (Jazz Archives, publ. 1973)

Jazz Archives JA-9 (1973)

Face A: 

Frankie Newton & his Uptown Serenaders

Frankie Newton (trompette), Edmond Hall (clarinette), Pete Brown (saxo alto), Cecil Scott (saxo ténor), Don Frye (piano), John Smith (guitare), Richard Fullbright (contrebasse), Cozy Cole (batterie). New York, 5 mars 1937. 

1. Please Don't Talk About Me When I'm Gone (Stept-Clare)
2. Who's Sorry Now (prise inédite #1) (Kalmar-Ruby-Snyder)

Les mêmes plus Russell Procope (saxo alto); Cecil Scott joue aussi de la clarinette et Edmond Hall joue aussi du saxo baryton. Slim Gaillard (chant sur 4&5). New York, 15 avril 1937. 

3. I Found a New Baby (Palmer-Williams)
4. There's No Two Ways About It (McHugh-Adamson)
5. 'cause My Baby Says It's So (Warren-Dubin)

Frankie Newton & his Cafe Society Orchestra

Frankie Newton (trompette), Tab Smith, Stanley Payne (saxo alto), Kenneth Hollow (saxo ténor), Kenny Kersey (piano), Ulysses Livingston (guitare), Johnny Williams (contrebasse), Eddie Dougherty (batterie). New York, 12 avril 1939. 

6. Jitters (Smith) 
7. Jam Fever (prise inédite #B) (Smith)

Les mêmes. New York, 15 août 1939. 

8. Vamp (Tab Smith)

Face B: 

(suite)

1. Parallel Fifths (Newton)

Charlie Barnet & his Orchestra

Frankie Newton, Jack Koven, Jimmy Milazzo (trompette), John D'Agostino, Bob Fishel (trombone), Harry Carrel, Ernie Diven (saxo alto), Charlie Barnet (saxo ténor, chant sur 2), Kurt Bloom (saxo ténor), Ludwig Flato (piano), George Cuomo (guitare), John Kirby (contrebasse), Joe Dale (batterie). New York, 5 août 1937. 

2. Shame on You
3. Emperor Jones (inédit)

Jerry Kruger & her Knights of Rhythm

Frankie Newton (trompette), Buster Bailey (clarinette), Pete Brown (saxo alto), Don Frye (piano), Jimmy McLin (guitare), John Kirby (contrebasse), O'Neil Spencer (batterie), Jerry Kruger (direction, chant). New York, 17 septembre 1937. 

4. So You Won't Sing (Wrubel-Magidson)

Buster Bailey & his Rhythm Busters

Les mêmes. New York, 17 septembre 1937. 

5. Afternoon in Africa (Bailey-Frye)
6. Dizzy Debutante (Buster Bailey)

Buster Bailey & his Rhythm Busters

Frankie Newton (trompette), Buster Bailey (clarinette, chant sur 8), Russell Procope (saxo alto), Billy Kyle (piano), James McLin (guitare), Johnny Williams (contrebasse), O'Neil Spencer (batterie). New York, 7 décembre 1938. 

7. Chained to a Dream (Bailey)
8. Light Up (Bailey)

Design de la pochette et illustration: Marvin L. Goldsmith
Photographie gracieuseté des Photo Files

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Fletcher Henderson: Swing's the Thing (1931-1934) Volume 2 (Decca Jazz Heritage Series, publ. 1961)

Decca DL (7)9228 (1961/?)

Face A: 

Connie's Inn Orchestra

Fletcher Henderson (piano), Russell Smith, Rex Stewart, Bobby Stark (trompette), Benny Morton, Claude Jones (trombone), Russell Procope (saxo alto, clarinette), Edgar Sampson (saxo alto, violon), Coleman Hawkins (saxo ténor, clarinette), inconnu (guitare), John Kirby (tuba), Walter Johnson (batterie). New York, 17 juillet 1931. 

1. The "House of David" Blues (Elmer Schoebel-Billy Meyers-Irving Mills) 3:05
2. Radio Rhythm (Nat Leslie-Irving Mills) 2:55

Fletcher Henderson and his Orchestra

Fletcher Henderson (piano), Russell Smith, Irving Randolph, Henry Allen (trompette), Claude Jones, Keg Johnson (trombone), Buster Bailey (clarinette), Hilton Jefferson, Russell Procope (saxo alto), Ben Webster (saxo ténor), Horace Henderson (piano sur 4 et 5), Lawrence Lucie (guitare), Elmer James (contrebasse), Walter Johnson (batterie). New York, 11 septembre 1934. 

3. Limehouse Blues (Douglas Furber-Philip Braham) 2:42
4. Shanghai Shuffle (Gene Rodemich-Larry Conley) 3:04
5. Big John's Special (Horace Henderson) 2:54
6. Happy as the Day is Long (Ted Koehler-Harold Arlen) 2:49

Les mêmes; Fletcher Henderson (piano sur B1), Horace Henderson (piano sur A7, B2, B3). New York, 12 septembre 1934. 

7. Tidal Wave (Russ Morgan-Clyde Trask) 3:07

Face B: 

1. Down South Camp Meeting (Fletcher Henderson-Irving Mills) 2:59
2. Wrappin' It Up (The Lindy Glide) (Fletcher Henderson) 2:45
3. Memphis Blues (W. C. Handy) 2:45

Les mêmes plus Benny Carter (saxo alto); Horace Henderson (piano sur 4), Fletcher Henderson (piano sur 5-7). New York, 25 septembre 1934. 

4. Wild Party (Will Hudson) 3:03
5. Rug Cutter's Swing (Horace Henderson) 3:02
6. Hotter Than 'ell (Fletcher Henderson) 2:51
7. Liza (All the Clouds'll Roll Away) (Gus Kahn-George Gershwin-Ira Gershwin) 2:41

Compilation, notes de pochette: Stanley Dance
Supervision: Milt Gabler

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Coleman Hawkins and his Orchestra: Capitol Jazz Classics Vol. 5: Hollywood Stampede (Capitol, enr. 1945; publ. 1972)

Capitol M-11030 (1972)

Face A: 

Howard McGhee (trompette), Coleman Hawkins (saxo ténor), Sir Charles Thompson (piano), Allan Reuss (guitare), Oscar Pettiford (contrebasse), Denzil Best (batterie). Hollywood, 23 février 1945. 

1. April in Paris (Vernon Duke, E. Yip Harburg) 2:49
2. Rifftide (Coleman Hawkins) 2:50
3. Stardust (Hoagy Carmichael, Mitchell Parish) 3:08
4. Stuffy (Coleman Hawkins) 2:56

Les mêmes plus Vic Dickenson (trombone). Hollywood, 2 mars 1945. 

5. Hollywood Stampede (Coleman Hawkins) 3:14
6. I'm Through with Love (Matty Malneck, Fud Livingstone, Gus Kahn) 3:05

Face B: 

(suite) 

1. What is There to Say? (Vernon Duke, E. Yip Harburg) 3:05
2. Wrap Your Troubles in Dreams (Harry Barris, Ted Koehler, Billy Moll) 3:00

Les mêmes; John Simmons (contrebasse) remplace Pettiford. Hollywood, 9 mars 1945. 

3. Too Much of a Good Thing (Coleman Hawkins) 2:42
4. Bean Soup (Coleman Hawkins) 2:47
5. Someone to Watch Over Me (George Gershwin) 2:59
6. It's the Talk of the Town (Jerry Levinson, Marty Symes, Al Neiburg) 3:00

Compilé par Simon Korteweg et Joop Visser
Manufacturé par N.V. Bovema-Hollande
Design de la pochette: Jan Fijnheer
Notes de pochette: Alun Morgan

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